For your consideration:
Apocalypse Now: the Horror Role-Playing Video Game.
Information for, about, and regarding Mr. McGhee's classes at Woodrow Wilson High School.
Wednesday, January 25, 2017
Sunday, January 22, 2017
IB Film: Directors Presentation
- Stanley Kubrick
- Woody Allen
- Billy Wilder
- Ida Lupino *
- David Lean
- William Castle
- Orson Welles
- Roman Polanski
- Martin Scorsese
- Preston Sturges
- Quentin Tarantino
- Francis Ford Coppola
- Sophia Coppola *
- Kevin Smith
- Frank Capra
- Ernst Lubitsch
- John Huston
- Elia Kazan
- Mike Nichols
- Robert Altman
- Joseph L. Mankiewicz
- Cecil B. DeMille
- John Cassavetes
- Vincente Minnelli
- Arthur Penn
- Joel and Ethan Coen
- Ridley Scott
- Stephen Spielberg
- Howard Hawks
- George Lucas
- Brian De Palma
- Otto Preminger
- Oliver Stone
- Sam Peckinpah
- Mel Brooks
- Spike Lee
- Tim Burton
- Peter Jackson
- Clint Eastwood
- Sam Raimi
- Yasujiro Ozu
- Kenji Mizoguchi
- Akira Kurosawa
- Masaki Kobayashi
- Mikio Naruse
- Seijun Suzuki
- Jean-Luc Goddard
- Francois Truffaut
- Jacques Tati
- Jean Renoir
- Jean-Poerre Melville
- Louis Malle
- Jean Cocteau
- Agnes Varda *
- Claire Denis *
- Luc Besson
- Federico Fellini
- Bernardo Bertolucci
- Vittorio De Sica
- Roberto Rosselini
- Sergio Leone
- Franco Zeffireli
- Roberto Benigni
- Pedro Almodovar
- Guillermo del Toro
- Salvador Dali
- Alejandro González Iñárritu
- Roberto Rodriguez
- Luis Bunuel
- Miguel Arteta
- Alfonso Cuaron
- Raj Kapoor
- Satyajit Ra
- Guru Dutt
- Hrishikesh Mukherjee
- Bimal Roy
- Adoor Gopalakrishnan
- Ritwik Ghatak
- Mrinal Sen
- Ann Hui *
- John Woo
- Jackie Chan
- Zhang Yimou
- Hou Hsiao-hsien
- Kathryn Bigelow *
- Penny Marshall *
- Nora Ephron *
- Amy Heckerling *
- Julie Taymor *
...just to name a few. If you have another director you would like to research, let me know.
Note: an asterisk denotes a female director.
Thursday, January 19, 2017
IB English: HoD Final Project
The summative project for the Heart of Darkness unit is a graphic project.
The student will select one quote from the novella which encapsulates one of the themes. Then the student will find an image (from the Internet or a book, et cetera) or create an original image that he or she feels illustrates the quote from the novella; center the image and caption it with the selected quote. On the back of the page, the student will properly cite the source of the image as well as the quote from the novella (MLA format).
Students will present their graphic projects to the class on Thursday, February 23, 2017.
An example is below:
The student will select one quote from the novella which encapsulates one of the themes. Then the student will find an image (from the Internet or a book, et cetera) or create an original image that he or she feels illustrates the quote from the novella; center the image and caption it with the selected quote. On the back of the page, the student will properly cite the source of the image as well as the quote from the novella (MLA format).
Students will present their graphic projects to the class on Thursday, February 23, 2017.
An example is below:
"We live as we dream... alone."
IB English: HoD Mandala Project
This mandala project is due Wednesday, February 16, 2017.
Mandala is a Sanskrit word meaning center and circle. It conveys the notion that any center is tied to its circumference and any circumference is always determined by its center. Together they represent wholeness. The character mandala project represents the student's analysis of the whole character in The Heart of Darkness.
After choosing your character, consider what traits that character displays and what happens to him/her in the story. Using the color symbolism chart, color the mandala according to the characteristics you have determined about your character. Whichever traits/characteristics are the most important or most evident should be represented by the corresponding colors from the chart and be dominant on the mandala. Any character you choose should have at least three characteristics and/or traits, and those colors should be evident on your mandala. Under the mandala, write the name of your character. On a separate page, type one paragraph about your character by first introducing him/her, followed by an explanation of what each color represents, the significance of their placement, and textual evidence and personal commentary for support of each characteristic you displayed. Conclude your paragraph with a theme statement of the selection. Be prepared to present your finished product to the class. Yes, you will have to read your paragraph.
The completed project should meet these criteria:
Mandala is a Sanskrit word meaning center and circle. It conveys the notion that any center is tied to its circumference and any circumference is always determined by its center. Together they represent wholeness. The character mandala project represents the student's analysis of the whole character in The Heart of Darkness.
After choosing your character, consider what traits that character displays and what happens to him/her in the story. Using the color symbolism chart, color the mandala according to the characteristics you have determined about your character. Whichever traits/characteristics are the most important or most evident should be represented by the corresponding colors from the chart and be dominant on the mandala. Any character you choose should have at least three characteristics and/or traits, and those colors should be evident on your mandala. Under the mandala, write the name of your character. On a separate page, type one paragraph about your character by first introducing him/her, followed by an explanation of what each color represents, the significance of their placement, and textual evidence and personal commentary for support of each characteristic you displayed. Conclude your paragraph with a theme statement of the selection. Be prepared to present your finished product to the class. Yes, you will have to read your paragraph.
The completed project should meet these criteria:
- a choice of characteristics appropriate to the character showing careful, close reading,
- a pattern of colors that are pleasing to the eye (or meaningfully harsh) and represent the characteristics the colors symbolize,
- effective paragraph organization, sentence fluency, word choice, and attention to conventions,
- and appropriate evidence correctly notated.
Wednesday, January 18, 2017
IB English: Individual Oral Presentation
The internal assessment for "Part 4: Options" is a presentation that you complete in response to one or more of your Part 4 works. Unlike the individual oral commentary, the presentation is based on a topic that you can choose and prepare--this makes the individual oral presentation slightly less intimidating. This is where you can be creative about a topic that interests you. As Tim Gunn would say, make it work.
What is it?
This assessment is a prepared oral presentation that lasts between 10 and 15 minutes. The topic and format are up to you. On the day of your presentation, you will present your topic with no interruptions from me or the class, though there may be questions to answer at the end.
What is my topic?
There are a variety of potential areas of focus to address according to the official subject guide:
So what should I do?
Well, what do you want to do? A formal analysis or critique of a particular idea or theme, or a more informal approach involving artistry and interpretation? These approaches are some of the ones deemed appropriate by IB:
How do I bring film into this thing?
Some interesting presentation ideas follow:
Ultimately, that is also up to you. We have three texts and three six-week grading periods. Heart of Darkness and A Streetcar Named Desire are sooner than Do Androids Dream of Electric Sheep?, but DADoES? will come at the end of the semester when people are doing IAs and end of year exams like the AP. It may not necessarily be a bad thing to go first.
What is it?
This assessment is a prepared oral presentation that lasts between 10 and 15 minutes. The topic and format are up to you. On the day of your presentation, you will present your topic with no interruptions from me or the class, though there may be questions to answer at the end.
What is my topic?
There are a variety of potential areas of focus to address according to the official subject guide:
- Cultural setting of the work(s) and related issues
- Thematic focus
- Characterization
- Techniques and style
- Author's attitude to particular elements of the work such as character(s) or subject matter
- Interpretation of particular elements from different perspectives
So what should I do?
Well, what do you want to do? A formal analysis or critique of a particular idea or theme, or a more informal approach involving artistry and interpretation? These approaches are some of the ones deemed appropriate by IB:
- An explanation of a particular aspect of an author's work
- The examination of a particular interpretation of the work
- The setting of a particular writer's work against another body of material, such as social or economic background, or political views
- A commentary on the use of a particular image, idea or symbol in a text or in an author's work
- A commentary on an extract from a work studied in class, which has been prepared at home
- The presentation of two opposing readings of a work
- A monologue or dialogue by a character at an important part of the work
- An author's reaction to a particular interpretation of elements of their work in a given context (e.g., a critical defense of the work against a charge of subversion, or immorality, before a censorship board)
How do I bring film into this thing?
Some interesting presentation ideas follow:
- The relationship between types of camera shots and narrative points of view
- The cinematic representation of inner monologue
- Adaptations of novels/short stories/plays and what they left out
- Narrative voice in film
- 'Updating' a narrative to a contemporary setting and how it affects the thematic message of the text
- Cinema's effect on the structure of the written text
- Symbolism in written and visual text
- How soundtracks and sound effects in a film adaptation change the written text
Ultimately, that is also up to you. We have three texts and three six-week grading periods. Heart of Darkness and A Streetcar Named Desire are sooner than Do Androids Dream of Electric Sheep?, but DADoES? will come at the end of the semester when people are doing IAs and end of year exams like the AP. It may not necessarily be a bad thing to go first.
- January 23, 2017: Novel to be Presented
- January 30, 2017: Presentation Topic Due
- February 13, 2017: HoD Presentations Begin
Internal Assessment Criteria: Individual Oral Presentation (HL)
|
0
|
1-2
|
3-4
|
5-6
|
7-8
|
9-10
|
Knowledge
and understanding
· How much knowledge and understanding does the student show of the
work(s) used in the presentation?
|
Does
not reach minimum standard
|
There
is little knowledge or understanding of the content of the work(s) presented.
|
There
is some knowledge and superficial understanding of the content of the work(s)
presented.
|
There
is adequate knowledge and understanding of the content and some of the
implications of the work(s) presented.
|
There
is very good knowledge and understanding of the content and most of the
implications of the work(s) presented.
|
There
is excellent knowledge and understanding of the content and the implications
of
the
work(s) presented.
|
Presentation
· How much attention has been given to making the delivery effective
and appropriate to the presentation?
· To what extent are strategies used to interest the audience (for
example, audibility, eye contact, gesture, effective use of supporting
material)?
|
Does
not reach minimum standard
|
Delivery
of the presentation is seldom appropriate, with little attempt to interest
the audience.
|
Delivery
of the presentation is sometimes appropriate, with some attempt to interest
the audience.
|
Delivery
of the presentation is appropriate, with a clear intention to interest the
audience.
|
Delivery
of the presentation is effective, with suitable strategies used to interest
the audience.
|
Delivery
of the presentation is highly effective, with purposeful strategies used to
interest the audience.
|
Language
· How clear, varied and accurate
is the language?
· How well is the register and
style suited to a Socratic Seminar? (“Register” refers, in this context, to
the student’s use of elements such as vocabulary, tone, sentence structure
and terminology appropriate to the commentary.)?
|
Does
not reach minimum standard
|
The
language is rarely appropriate, with a very limited attempt to suit register
and style to the choice of presentation.
|
The language is sometimes
appropriate, with some attempt to suit register and style to the choice of
presentation.
|
The
language is mostly clear and appropriate, with some attention paid to
register and style that is suited to the choice of presentation.
|
The language is clear and
appropriate, with register and style consistently suited to the choice of
presentation.
|
The language is very clear
and entirely appropriate, with register and style consistently effective and
suited to the choice of presentation.
|
Wednesday, November 16, 2016
IB Lit: Transgression and Redemption Final
- How does the city serve simultaneously as a symbol of society and of Raskolnikov's state of mind?
- What impact do the descriptions of the various apartments--including those of Raskolnikov, Alyona, Sonya, Luzhin, and Dunya and Pulcheria Alexandrovna--have on our understanding of the characters who inhabit them and the events that take place within them?
- What effect does having the murder occur at the very beginning of the novel have on the structure of the novel?
- How should the reader reconcile Svidrigailov's charitable gestures at the end of the novel with his violent confrontation of Dunya during the same time frame, and does his eventual suicide affect the response?
Thursday, November 3, 2016
IB Film Seniors: Project Due Dates
Third six-weeks' due dates for the senior film project.
- 11 Nov: Final Storyboards and Working Title
- 18 Nov: Shot List and Timetable
- 28 Nov - 16 Dec: Shoot and Edit
- 21 Dec: Film and Portfolio Due
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